Kelly Savage is on the faculty at San Francisco Conservatory of Music, where she teaches theory and musicianship. She is also a Lecturer at Stanford University, where she teaches keyboard harmony and directs the Stanford Community Chorus. Ms. Savage performs frequently on harpsichord as a continuo player and chamber musician.

Ms. Savage is artistic director of the chamber group SIREN Baroque, and is a founding member of the New York opera company Opera Feroce. The New York Times praised Ms. Savage’s “deft accompaniment” in the pasticcio opera Amor & Psyche, and highlighted her playing in Morningside Opera’s production of The Judgment of Paris. She holds a doctorate from Stony Brook University, where she studied with Arthur Haas, and also holds graduate degrees from the Oberlin Conservatory and the University of Wisconsin—Madison. Ms. Savage is a co-creator of Partifi, an online tool for musicians.

Highlights of the 2014-15 season include Opera Feroce’s newly staged version of the comic pasticcio opera, Arminio in Armenia: A Budget Epic, as well as a freshly staged run of their first pasticcio, Amor & Psyche. With SIREN Baroque, Ms. Savage is part of the SIREN’s Captives Series, featuring Christof Huebner (viola) & Doug Balliet (gamba). Also with SIREN, she will present their Women of the Baroque program at St. John's University and at Rutgers University. In January 2015, she will collaborate with Morningside Opera and SIREN Baroque on a double bill of Giovanni Pergolesi’s Stabat Mater and La Serva Padrona.

Ms. Savage can be reached via email at